Sony FX6 | ILME-FX6 | Cinema Line FX6
£4,495.00 (ex VAT)
£5,394.00 (inc VAT)
SKU: Sony FX6 | ILME-FX6 | Cinema Line FX6 ILMEFX6VDI.EU
Availability: Going Fast !
Sony FX6
The Sony FX6 is Netflix Approved. Read more
Capture brilliance
The Sony Cinema Line FX6 is a highly sought-after piece of movie-making equipment and is Netflix-approved. The recording quality of the Sony FX6 is capable of full-frame 4K recording at up to 120p in 10bit 4:2:2 on board.
S-Cinetone
Other notable features of the Sony Cinema Line FX6 include the S-Cinetone. S-Cinetone was designed to mimic the ever-popular VENICE Sony range, allowing you to create much richer visuals from the camera itself, instead of editing your film’s colour grading. Other Sony FX cameras with the S-Cinetone look include the Sony FX9 and Sony FX3.
Shoot in comfort
The Sony FX6 camera itself is light to hold with a 0.89kg body. Additional features include detachable Smart Grips, which allow you to move seamlessly around the scene for a smooth, professional result.
Create the unthinkable
No matter if you film day or night, the Sony Cinema Line FX6 can capture images in near-total darkness, due to an ISO expanded range up to 409600 and can capture impressive detail within a scene with shallow depth of field giving you an absolutely stunning cinematic feel.
Aside from its visual capabilities, the Sony Cinema Line FX6 includes a detachable smart handle and high-resolution LCD screen, a heat dissipation system for long shooting hours, and long battery life which makes it personable and stress-free for professional users.
- Full-frame 4K recording at up to 120p
- S-Cinetone
- 15+ Stop Wide Dynamic Range
- Variable ND filter
- LUTs input
- Fast Hybrid AutoFocus
- Real-time Eye AF
- Touch tracking Autofocus
- Customisable Autofocus sensitivity
- Outstanding Mobility, Reliability & Expandability
- 16bit RAW output
- 12G SDI, HDMI, USB-C, WiFi, LANC, 2x XLR, Mi-Shoe, E mount
| Sony FX6 Mass | Approx 890g (1lb15oz)(body only) |
| Approx. 2.59kg(5lb11oz) (with Viewfinder, Grip Remote Control, BP-U35 battery, | |
| SEL24105G LENS, Lens Hood, Handle, MIC holder) | |
| Dimensions (W x H x D) | 114 x 116 x 153 mm(4 1/2 x 4 5/8 x 6 1/8 inch) |
| (body without protrusions) | |
| Power Requirements | DC 19.5V |
| Power Consumption | Approx. 18.0 W (while recording XAVC-I QFHD 59.94p, |
| SEL24105G Lens, Viewfinder ON, not using external device) | |
| Operating Temperature | 0°C to 40°C |
| 32°F to 104°F | |
| Storage Temperature | -20°C to +60°C |
| -4°F to +140°F | |
| Battery Operating Time | Approx. 105min. with BP-U35 battery |
| (while recording XAVC-I QFHD 59.94p, SEL24105G Lens, Viewfinder ON, | |
| not using external device) | |
| Battery Operating Time | Approx. 215min. with BP-U70 battery |
| (while recording XAVC-I QFHD 59.94p, SEL24105G Lens, Viewfinder ON, | |
| not using external device) | |
| Recording Format (Video) | [XAVC Intra] |
| XAVC-I DCI4K 59.94p mode:VBR, MAX bit rate 600 Mbps, | |
| MPEG-4 AVC/H.264 | |
| XAVC-I DCI4K 50p mode:VBR, MAX bit rate 500 Mbps, | |
| MPEG-4 AVC/H.264 | |
| XAVC-I DCI4K 29.97p mode:VBR, MAX bit rate 300 Mbps, | |
| MPEG-4 AVC/H.264 | |
| XAVC-I DCI4K 25p mode:VBR, MAX bit rate 250 Mbps, | |
| MPEG-4 AVC/H.264 | |
| XAVC-I DCI4K 24p mode:VBR, MAX bit rate 240 Mbps, | |
| MPEG-4 AVC/H.264 | |
| XAVC-I DCI4K 23.98p mode:VBR, MAX bit rate 240 Mbps, | |
| MPEG-4 AVC/H.264 | |
| XAVC-I QFHD 59.94p mode:VBR, MAX bit rate 600 Mbps, | |
| MPEG-4 AVC/H.264 | |
| XAVC-I QFHD 29.97p mode:VBR, MAX bit rate 300 Mbps, | |
| MPEG-4 AVC/H.264 | |
| XAVC-I QFHD 25p mode:VBR, MAX bit rate 250 Mbps, | |
| MPEG-4 AVC/H.264 | |
| XAVC-I QFHD 23.98p mode:VBR, MAX bit rate 240 Mbps, | |
| MPEG-4 AVC/H.264 | |
| XAVC-I HD 59.94p mode:CBG, MAX bit rate 222 Mbps, | |
| MPEG-4 AVC/H.264 | |
| XAVC-I HD 50p mode:CBG, MAX bit rate 223 Mbps, | |
| MPEG-4 AVC/H.264 | |
| XAVC-I HD 29.97p mode:CBG, MAX bit rate 111 Mbps, | |
| MPEG-4 AVC/H.264 | |
| XAVC-I HD 25p mode:CBG, MAX bit rate 112Mbps, | |
| MPEG-4 AVC/H.264 | |
| XAVC-I HD 23.98p mode:CBG, MAX bit rate 89Mbps, | |
| MPEG-4 AVC/H.264 | |
| [XAVC Long] | |
| XAVC-L QFHD 29.97p/25p/23.98p mode:VBR, MAX bit rate 100 Mbps, | |
| MPEG-4 H.264/AVC | |
| XAVC-L QFHD 59.94p/50p mode:VBR, MAX bit rate 150 Mbps, | |
| MPEG-4 H.264/AVC | |
| XAVC-L HD 29.97p/25p/23.98p/59.94p/50p mode:VBR, MAX bit rate 50 Mbps, | |
| MPEG-4 H.264/AVC | |
| XAVC-L HD 29.97p/25p/23.98p/59.94p/50p mode:VBR, MAX bit rate 35 Mbps, | |
| MPEG-4 H.264/AVC | |
| Recording Format (Audio) | LPCM 24 bits, 48 kHz, 4 channels |
| Recording Frame Rate | [XAVC Intra] |
| XAVC-I DCI4K mode:4096 x 2160/59.94P, 50P, 29.97P, 23.98P, 25P, 24P | |
| XAVC-I QFHD mode:3840 x 2160/59.94P, 50P, 29.97P, 23.98P, 25P | |
| XAVC-I HD mode:1920 x 1080/59.94P, 50P, 29.97P, 23.98P, 25P | |
| [XAVC Long] | |
| XAVC-L QFHD mode:3840 x 2160/59.94P, 50P, 29.97P, 23.98P, 25P | |
| XAVC-L HD 50 mode:1920 x 1080/59.94P, 50P, 29.97P, 23.98P, 25P | |
| XAVC-L HD 35 mode:1920 x 1080/59.94P, 50P, 29.97P, 23.98P, 25P | |
| Recording/Playback Time | [XAVC Intra] XAVC-I DCI4K/QFHD 59.94p |
| When using CEA-G160T (160 GB) | |
| Approx. 30 minutes When using CEA-G80T (80 GB) Approx. 15 minutes | |
| XAVC-I DCI4K/QFHD 50p When using CEA-G160T (160 GB) Approx. 36 minutes | |
| When using CEA-G80T (80 GB) Approx. 17 minutes | |
| XAVC-I DCI4K/QFHD 29.97p When using CEA-G160T (160 GB): | |
| Approx. 60 minutes When using CEA-G80T (80 GB) Approx. 29 minutes | |
| XAVC-I DCI4K/QFHD 25p When using CEA-G160T (160 GB): | |
| Approx. 71 minutes When using CEA-G80T (80 GB) Approx. 35 minutes | |
| XAVC-I DCI4K 24p When using CEA-G160T (160 GB): | |
| Approx. 74 minutes When using CEA-G80T (80 GB) Approx. 36 minutes | |
| XAVC-I DCI4K/QFHD 23.98p When using CEA-G160T (160 GB): | |
| Approx. 74 minutes When using CEA-G80T (80 GB) Approx. 36 minutes | |
| XAVC-I HD 59.94p When using CEA-G160T (160 GB): | |
| Approx. 78 minutes When using CEA-G80T (80 GB) Approx. 38 minutes | |
| XAVC-I HD 50p When using CEA-G160T (160 GB): | |
| Approx. 78 minutes When using CEA-G80T (80 GB) Approx. 38 minutes | |
| XAVC-I HD 29.97p When using CEA-G160T (160 GB): | |
| Approx. 150 minutes When using CEA-G80T (80 GB) Approx. 74 minutes | |
| XAVC-I HD 25p When using CEA-G160T (160 GB): | |
| Approx. 150 minutes When using CEA-G80T (80 GB) Approx. 74 minutes | |
| XAVC-I HD 23.98p When using CEA-G160T (160 GB): | |
| Approx. 185 minutes When using CEA-G80T (80 GB) Approx. 91 minutes | |
| [XAVC Long] | |
| XAVC-L QFHD 29.97p/25p/23.98p When using CEA-G160T (160 GB): | |
| Approx. 170 minutes When using CEA-G80T (80 GB) Approx. 86 minutes | |
| XAVC-L QFHD 59.94p/50p When using CEA-G160T (160 GB): | |
| Approx. 115 minutes When using CEA-G80T (80 GB) Approx. 57 minutes | |
| XAVC-L HD 50 /29.97p/25p/23.98p/59.94p/50p | |
| When using CEA-G160T (160 GB): Approx. 320 minutes When using CEA- G80T (80 GB) | |
| Approx. 155 minutes | |
| XAVC-L HD 35 29.97p/25p/23.98p/59.94p/50p | |
| When using CEA-G160T (160 GB): Approx. 430 minutes | |
| When using CEA-G80T (80 GB) Approx. 210 minutes | |
| Recording Format (Proxy Audio) | XAVC Proxy: AAC-LC, 128 kbps, 2 channels |
| Recording Format (Proxy Video) | XAVC Proxy: AVC/H.264 High Profile 4:2:0 |
| Long GOP, VBR 1920x1080, 9Mbps | |
| Lens Mount | E-mount |
| Imaging Device (Type) | 35 mm full-frame, single-chip CMOS image sensor |
| Number of pixels (total) | Approx. 12.9 megapixels |
| Number of pixels (effective) | Approx. 10.2 megapixels |
| Built-in Optical Filters | Clear, linear variable ND(1/4ND to 1/128ND) |
| ISO Sensitivity | ISO 800/12800 (Cine EI mode, D55 Light source) |
| Shutter Speed | 64F to 1/8000 sec |
| Slow and Quick Motion Function | XAVC-I 4096x2160 |
| 1 to 60 frames (59.94/50/29.97/25/24/23.98) | |
| Slow and Quick Motion Function | XAVC-I/L 3840 x 2160 1 to 60, 100, 120 frames |
| (59.94/50/29.97/25/23.98) | |
| 1920 x 1080 1 to 60, 100, 120, 150, 180, 200, 240 frames | |
| (59.94/50/29.97/25/23.98) | |
| White Balance | Preset, Memory A, Memory B (2000K-15000K)/ATW |
| Gain | -3 to 30dB (every 1dB), AGC |
| Gamma Curve | SDR Mode ：S-Cinetone, Standard, Still, ITU709 |
| HDR mode : HLG_Live, HLG_Natural | |
| Latitude | 15+ stop |
| Audio Input | XLR-type 3-pin (female) (x2), line/mic/mic +48 V selectable |
| Mic Reference: -30 to -80 dBu | |
| SDI Output | SDI OUT: BNC, 12G-SDI, 6G-SDI, 3G-SDI(Level A/B) |
| USB | USB Type-C(x1), Multi/Micro-B (x1) |
| Headphone Output | Stereo mini jack (x1) -16 dBu 16 Ω |
| Speaker Output | Monaural |
| DC Input | DC jack |
| Remote | Stereo mini-minijack (Φ2.5 mm) |
| HDMI Output | Type A (x1) |
| TC Input/TC Output | BNC, TC IN/OUT Switchable |
| Grip | Mini jack (Φ3.5 mm/4pin) |
| LCD | 8.8 cm (3.5 type) Approx. 2.76M dots" |
| Built-in Microphone | Omni-directional monoral electret condenser |
| microphone (body) (x1) Stereo electret condenser microphone (handle) (x1) | |
| Type | CFexpress Type A / SD card (x2) |
| Slot B can be used for saving configuration data. | |
| Supported Format | IEEE 802.11 a/b/g/n/ac |
| Frequency Band | [[F_WI0007]] 2.4 GHz bandwidth |
| 5.2/5.3/5.6/5.8 GHz bandwidth | |
| Security | WEP/WPA-PSK/WPA2-PSK |
| NFC | NFC Forum Type 3 Tag compliant |
| Supplied Accessories | Handle (1) |
| LCD monitor (1) | |
| Grip remote control (1) | |
| AC Adaptor (1) | |
| Power cord (1) | |
| USB-C cable (1) | |
| LCD hood (1) | |
| Cold shoe kit (1) | |
| Lens mount cap (1) | |
| Handle connector cap (1) | |
| Before Using This Unit (1) | |
| Warranty booklet (1) |
ILME-FX6 Firmware Update Ver. 4.00
Benefits and Improvements- Adds support for Movie file names in the Camera ID + Reel# format
- Adds a function that displays De-squeeze (2.0x, 1.3x) in the viewfinder and HDMI output
- Adds more AF frame rates during Slow & Quick Motion
- Adds support for Flexible ISO and Cine EI Quick in shooting mode:
- Allows you to record S-Log3 content with exposure settings by adjusting the ISO sensitivity
- Allows you to record at a base ISO setting the same as Cine EI, with the base ISO adjusted automatically in conjunction with EI value
- When the shooting mode is set to Flexible ISO, Cine EI, or Cine EI Quick, adds support for recording a 3D LUT file to the same memory card with the base look used during shooting as the shooting data, at the same time
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