Sony Alpha 1 Mirrorless Camera (Body Only)
SonySony A1 Mirrorless Camera
The One
Sony continues to challenge the limits of conventional imaging tools with innovative technology that delivers an unprecedented combination of resolution and speed plus intuitive operation. The α1 offers new dimensions of imaging performance as well as efficient workflow, giving the user new creative freedom.
The α mission
The α mission is to give creators the power to realize their dreams. The α1 is its most potent expression to date.
50 MP at 30 fps
The latest Sony technology delivers unprecedented speed and resolution for new creative possibilities and workflow.
50.1 megapixels at up to 30 frames/second
The α1 offers an extraordinary combination of high resolution and blazing speed. Ultra-fast readout from the 50.1 MP sensor allows continuous bursts at up to 30 fps2 with AF and AE tracking using the electronic shutter. Perfect for sports or any situation where the critical action is over in an instant.
Blackout-free for an uninterrupted view
An interrupted blackout-free view of the subject lets you respond instantly and seamlessly. The EVF is updated at 240 fps to minimise latency during continuous shooting.
Silent, vibration-free shutter
A silent4 electronic shutter provides greater opportunities for shooting sports and other subjects where noise is not tolerated. Vibration-free operation contributes to high image quality.
Anti-distortion Shutter
Fast sensor readout minimises still-image distortion5 when using the electronic shutter3. The BIONZ XRTM engine and a large buffer achieve about 1.5x less distortion than the α9 II.
Flicker-free electronic & mechanical shutters
Another world first6: flicker-free electronic and mechanical shutters. You get flicker-free shooting under fluorescent/artificial lighting with all the benefits of the electronic shutter.
Full-frame stacked 50.1 MP Exmor RS™ CMOS sensor with integral memory
A stacked architecture in this back-illuminated 50.1 MP full-frame image sensor contributes to high resolution and speed. Separate pixel and circuit layers and advanced A/D conversion mean faster processing.
All-new architecture and BIONZ XR image processing engine
The new BIONZ XR engine features advanced architecture that delivers 8x greater processing power7. The result is outstanding image quality as well as improved camera interface response.
Flash sync with electronic shutter
For the first time in an α camera, electronic shutter flash sync8 is possible thanks to high readout speed from the stacked CMOS sensor. All electronic shutter advantages remain available for flash shooting.
Dual driven shutter drive for flash sync up to 1/400 sec.
The world’s first6 dual driven shutter system allows flash sync up to 1/400 sec., making it easier to capture dynamic action and opening the door to new creative possibilities.
Breathtaking resolution and image quality
The new 50.1 MP Exmor RS CMOS sensor delivers high resolution and sensitivity with low noise, plus up to 15 stops9 of dynamic range. A new image processing engine achieves even better colour accuracy than previous models.
Wide ISO100 ~ 32000 sensitivity range
Despite the sensor’s high pixel count, a sensitive back-illuminated structure with gapless on-chip lenses and an AR coated seal glass allows a standard ISO range of ISO100~32000, expandable to ISO50~10240010.
Pixel Shift Multi Shooting
Up to 16 images shot with precise in-body image stabilization control can be combined via computer software to create photos with up to 199 million pixels for extraordinary resolution, colour, and atmosphere.11
Creative Look supports varied expression
The Creative Look feature provides 10 presets that can be used unmodified or edited to create a variety of “looks” that can help creators fine-tune the mood of their stills or movies in-camera.
5-axis optical in-body image stabilisation for a 5.5-step advantage
A precision stabilisation unit and gyro sensors plus the latest image stabilization algorithms deliver a 5.5 step12 shutter speed advantage, maximising the quality of high-resolution images.
Real-time Eye AF for birds
High-level subject recognition technology now makes it possible for Sony’s Real-time Eye AF function to track and accurately focus on bird eyes, even if the bird suddenly takes flight or the framing changes. This innovative function easily meets the many challenges of bird photography14.
Improved Real-time Eye AF for animals
Primarily designed for cats and dogs, this feature employs advanced subject recognition technology to reliably track and focus on animal eyes14. It even works if the animal’s face is upside-down.
Real-time Eye AF
Combining state-of-the-art AI technology and evolved Fast Hybrid AF algorithms, Real-time Eye AF in the α1 tracks and focuses on human eyes with approximately 30% greater precision than the α9 II.
Real-time Tracking
Select a subject, half-press the shutter, and the camera will track and maintain focus automatically. Turn on AF face/eye priority for seamless AI-based tracking of human, animal, or bird eyes.
Wide, fast, precise AF tracking
The α1 features focal plane phase-detection AF that is sensitive, fast, and precise. The 50.1 MP sensor and BIONZ XR engine provide 759 selectable phase-detection points16 covering about 92% of the image.
Next-generation 8K 30p recording
The new image sensor and BIONZ XR engine in the α1 deliver 8K 30p movie recording capability for extraordinary realism. Four times the resolution of 4K with full Real-time Tracking and Real-time Eye AF functionality. 8K footage is also ideally suited to flexible 4K editing.
4K movies at a high 120 fps frame rate
The α1 supports high frame rate internal 4K movie recording at up to 120 fps, for smooth, expressive slow-motion18 playback at up to 5x. 10-bit 4:2:2 chroma subsampling can be used with Long-GOP or Intra (All-I) compression for outstanding image quality, while the new image sensor and BIONZ XR engine minimize image distortion.
4K with full sensor readout, no pixel binning, and 5.8K oversampling
In the Super 35 mode approximately 2.3x the amount of data required for QFHD 4K is acquired through full-frame readout with no pixel binning for beautifully imagery that is rich in detail.
10-bit 4:2:2 chroma subsampling
10-bit depth, 4:2:2 chroma subsampling, a high-efficiency MPEG-H HEVC/H.265 codec, intra-frame coding, and more, support flexible editing and a variety of delivery formats.
Real-time Eye AF and Real-time Tracking for movies
The BIONZ XR engine features significantly improved detection, accurately tracking human eyes at a wider range of head angles. Also available for 8K and 4K 120p recording.
S-Log for compatibility with pro cine cameras
S-Log2 and S-Log3 are included. S-Log3 provides smooth 10-bit gradations and a dynamic range of 15+ stops. S-Gamut, S-Gamut3, and S-Gamut3.Cine color spaces supported.
10-bit 4:2:219 HLG (Hybrid Log-Gamma) support
High-dynamic-range HLG movies support the wide-gamut BT.2020 colour space, and can be directly played on an HDR (HLG) compatible TV. 10-bit HLG recordings reproduce fine gradation and detail.
16-bit RAW output
The α1 allows 16-bit RAW output to an external recorder via HDMI for improved post-production flexibility. RAW output via HDMI is available while recording 4K to internal card media.
Digital audio interface for superior sound
A digital audio interface delivers outstanding audio quality with compatible audio devices connected via the Multi Interface Shoe. Pristine digital audio is delivered directly to the camera.
Heat-dissipating structure for extended recording
A newly developed heat dissipating structure prevents overheating during continuous recording without increasing body size. Record 8K/30p or 4K/60p video continuously for up to 30 minutes20.
The cinematic S-Cinetone look
The α1 includes the same S-Cinetone colour matrix that produces beautiful colour and skin tones in the VENICE, FX6, and other Cinema Line cameras. S-Cinetone delivers natural mid-tones that are essential to healthy-looking skin colour, plus soft colours and gorgeous highlights, responding to a growing need for more expressive depth.
“Active Mode” image stabilisation
A new Active Mode dedicated to movie shooting makes 5-axis optical image stabilisation highly effective for handheld shooting. It uses the BIONZ XR engine’s real-time processing capability to apply optimum compensation in all formats, including 4K22. All of this is realised without compromising the compact size and mobility of the α system.
High-performance electronic viewfinder
The 9.44 million-dot (approx.) OLED viewfinder in the α1 offers the highest resolution in the industry at this time23. It features 0.90x magnification24 with a 41° FOV for a clear, wide view, and an updated structure that results in a 25mm high eyepoint. A 240fps refresh rate with UXGA FOV is another world first23, for a clear view of fast action.
Panning shots with electronic shutter
Using electronic shutter at low shutter speeds can reduce display response, making it difficult to follow fast subjects. Turn [Low Frame Rate Limit] ON to improve display response and allow panning shots.
Seamlessly switch full-frame and APS-C formats
M and S size images26 have the same number of pixels and AF area in the full-frame and APS-C modes, so you can switch seamlessly between full-frame [M:21MP] and APS-C [M:21MP] while shooting the same scene.
Separate settings for stills and movies
A subset of the settings now change according to the selected mode. This is ideal when you want to use different aperture, shutter speed, and other settings for shooting stills and movies27.
New menu structure
Another feature requested by professional photographers and videographers: a revised menu structure for easier navigation, and touch-responsive menu operation for more intuitive control.
Customisable functions
164 Functions are assignable to 17 custom keys as well as the front and rear dials. Independent function sets can be assigned for stills, movies, and playback.
Touch menu control
Touch-responsive main and function menus with menu tabs on the left of the display and related parameter groups and parameters on the right make for easy navigation and tracking control.
High-reliability mechanical shutter
Shutter vibration is minimised while allowing continuous bursts at up to 10 fps. The new shutter unit with advanced motor, brake, and dampers is good for more than 500,000 cycles28.
Two CFexpress Type A compatible media slots
Dual media slots support UHS-I and UHS-II SDXC/SDHC cards as well as new CFexpress Type A cards for higher overall capacity and faster read/write speeds.
High-capacity Z-series Battery for extended recording
Shoot up to 530 stills per charge. Components and circuitry have also been designed to optimize power use. Get more capacity with two Z batteries in the VG-C4EM grip.
Improved dust and moisture resistant design
Sealing is provided at all body seams and the battery cover. The media slots have a double sliding cover and lock that keep water out. A lens lock button and mount cushion help too.
Durable magnesium alloy chassis
A light, rigid magnesium alloy enhances the durability of the top, front, and rear covers as well as the internal frame. 6 lens mount attachment screws add even more strength and rigidity.
Industry’s fastest built-in Wi-Fi supports 2x2 MIMO
Built-in wireless LAN allows communication on the 2.4 GHz and 5 GHz31 bands, the latter with 2x2 MIMO support (IEEE 802.11a/b/g/n/ac). Dual antennas ensure reliable communication.
SuperSpeed USB 10Gbps (USB 3.2) Type-C® connector
A USB Type-C® connector that supports fast USB 3.2 SuperSpeed USB 10Gbps data transfer makes fast PC Remote (tethered) data transfer available for smooth handling of large files.
1000BASE-T Ethernet for fast communication
A built-in connector for wired 1000BASE-T connection enables fast, stable data transfers at gigabit speeds. FTPS is supported, allowing SSL or TLS encryption for greater security.
Versatile FTP connectivity
FTP still and movie uploads as well as remote camera control can be accomplished via wireless LAN, fast wired LAN, or a USB-tethered smartphone. File types for transfer can be specified.
FTP transfer of still and movie files
Stills and movies can be transferred to a remote FTP server via wireless LAN, high-speed wired LAN, or a wired smartphone connection. Wireless data throughput is about 3.5x faster than the α9 II.
Versatile remote (tethered) shooting functions
The Imaging Edge Desktop “Remote” application32 can be used for PC Remote (tethered) shooting via a wireless LAN or wired USB connection. Remote control from a mobile device is also possible.
Lossless compressed RAW
The α1 includes efficient lossless compression in addition to compressed and uncompressed RAW.
New “Light” JPEG size
A new “Light” JPEG size setting results in smaller files than the “Standard” setting, allowing faster deliver for news and sports photographers who depend on speed.
10-bit HEIF for smoother gradations
HEIF format can deliver smooth 10-bit gradations for more realistic reproduction of skies and portrait subjects. Advanced compression reduces file size for improved workflow efficiency.
No Compromise on Image Quality and Speed
New 50MP Exmor RS sensor, up to 30 FPS Black-out free, class leading 9.44M dot EVF with high speed refresh rate and 5.5 stops IBIS all thanks to the new BIONZ XR processor.
Top in Class Autofocus Performance
With 759 phase-detection and 425 contrast-detection AF points, the camera has a wide and high-density autofocus covering 93 percent of the image with improved Real-time autofocus technology: Real-time tracking autofocus, Real-time Eye AF (human, animals, birds) and Real-time Eye AF in video (human only). Never miss the important split moments with the Alpha 1
Advanced Professional Operability
New menu, high capacity Z battery, Full size HDMI, ethernet and ultrafast Wi-Fi, dual CF Express Type A compatible media slots makes it the perfect tool for professionals who want to get the best experience out of their camera. For flash shooters, the camera is now capable to shoot at 1/400th flash sync speed and 1/500th in APS-C mode.
Pushing The Boundaries of Videomaking
8K up to 30p 4:2:0 10bit, up to 4k 120p recording feature. With S-Cinetone feature included and active mode image stabilisation, cinematographers and video creators can get cinematrographic results on par with what Sony Cinema Line products offer.
Reliable Camera for Demanding Situations
Improved dust and moisture resistance, new high-reliability mechanical shutter with 500,000 shutter cycle and superspeed USB-C 3.2 type connector supporting power delivery
Lens | |
Lens Mount | E-mount |
Image Sensor | |
Aspect Ratio | 3:2 |
Number of Pixels (Effective) | Approx. 50.1 megapixels |
Number of Pixles (Total) | Approx. 50.5 megapixels |
Sensor Type | 35mm full frame (35.9 x 24.0mm), Exmor RS CMOS sensor |
Anti-Dust System | Yes (Charge protection coating on Optical Filter and ultrasonic vibration mechanism) |
Recording (still images) | |
Recording Format | JPEG (DCF Ver. 2.0, Exif Ver. 2.32, MPF Baseline compliant), HEIF (MPEG-A MIAF compliant), RAW (Sony ARW 4.0 format compliant) |
Image Size (Pixels) [3:2] | 35mm full frame L: 8640 x 5760 (49.7M), M: 5616 x 3744 (21M), S: 4320 x 2880 (12.4M), APS-C M: 5616 x 3744 (21M), S: 4320 x 2880 (12.4M) |
Image Size (Pixels) [4:3] | 35mm full frame L: 7680 x 5760 (44.2M), M: 4992 x 3744 (18.6M), S: 3840 x 2880 (11M), APS-C M: 4992 x 3744 (18.6M), S: 3840 x 2880 (11M) |
Image Size (Pixels) [16:9] | 35mm full frame L: 8760 x 4864 (42M), M: 5616 x 3160 (17.7M), S: 4320 x 2432 (10.5M), APS-C M: 5616 x 3160 (17.7M), S: 4320 x 2432 (10.5M) |
Image Size (Pixels) [1:1] | 35mm full frame L: 5760 x 5760 (33M), M: 3744 x 3744 (14M), S: 2880 x 2880 (8.2M), APS-C M: 3744 x 3744 (14M), S: 2880 x 2880 (8.2M) |
Image Quality Modes | RAW (Compressed / Lossless Compressed / Uncompressed), JPEG (Extra fine / Fine / Standard / Light), HEIF (4:2:0 / 4:2:2) (Extra fine / Fine / Standard / Light) |
Picture Profile | Yes (Off / PP1-PP11) Parameters: Black level, Gamma (Movie, Still, S-Cinetone, Cine1-4, ITU709, ITU709 (800 percent), S-Log2, S-Log3, HLG, HLG1-3), Black Gamma, Knee, Color Mode, Saturation, Color Phase, Color Depth, Detail, Copy, Reset |
Creative Look | ST, PT, NT, VV, VV2, FL, IN, SH, BW, SE, Custom Look (1-6) |
Dynamic Range Functions | Off, Dynamic Range Optimizer |
Colour Space | sRGB standard (with sYCC gamut), Adobe RGB standard and Rec. ITU-R BT.2100 standard (BT.2020 gamut).1 |
14Bit RAW | Yes |
Recording (movie) | |
Recording Format | XAVC S, XAVC HS |
Video Compression | XAVC S: MPEG-4 AVC/H.264, XAVC HS: MPEG-H HEVC/H.265 |
Audio Recording Format | LPCM 2ch(48kHz 16bit), LPCM 2ch(48kHz 24bit)2, LPCM 4ch(48kHz 24bit)2, MPEG-4 AAC-LC 2ch3 |
Colour Space | Rec. ITU-R BT.2100 standard compatible (BT.2020 gamut)4 |
Picture Profile | Yes (Off / PP1-PP11) Parameters: Black level, Gamma (Movie, Still, S-Cinetone, Cine1-4, ITU709, ITU709 (800 percent), S-Log2, S-Log3, HLG, HLG1-3), Black Gamma, Knee, Color Mode, Saturation, Color Phase, Color Depth, Detail, Copy, Reset |
Creative Look | ST, PT, NT, VV, VV2, FL, IN, SH, BW, SE, Custom Look (1-6) |
Movie Recording System (XAVC HS 8K) | 7680 x 4320 (4:2:0, 10bit, NTSC) (Approx.): 30p(400Mbps / 200 Mbps), 24p(400Mbps / 200 Mbps), 7680 x 4320 (4:2:0, 10bit, PAL) (Approx.): 25p(400Mbps / 200 Mbps) |
Movie Recording System (XAVC HS 4K) | 3840 x 2160 (4:2:0, 10bit, NTSC) (Approx.): 120p (200Mbps), 60p (150Mbps / 75Mbps / 45Mbps), 24p (100Mbps / 50Mbps / 30Mbps); 3840 x 2160 (4:2:0, 10bit, PAL) (Approx.): 100p (200Mbps), 50p (150Mbps / 75Mbps / 45Mbps); 3840 x 2160 (4:2:2, 10bit, NTSC) (Approx.): 120p (280Mbps), 60p (200Mbps / 100Mbps), 24p (100Mbps / 50Mbps); 3840 x 2160 (4:2:2, 10bit, PAL) (Approx.): 100p (280Mbps), 50p (200Mbps / 100Mbps) |
Movie Recording System (XAVC S 4K) | 3840 x 2160 (4:2:0, 8bit, NTSC) (Approx.): 120p (200Mbps), 60p (150Mbps), 30p (100Mbps / 60Mbps), 24p (100Mbps / 60Mbps); 3840 x 2160 (4:2:0, 8bit, PAL) (Approx.): 100p (200Mbps), 50p (150Mbps), 25p (100Mbps / 60Mbps); 3840 x 2160 (4:2:2, 10bit, NTSC) (Approx.): 120p (280Mbps), 60p (200Mbps), 30p (140Mbps), 24p (100Mbps); 3840 x 2160 (4:2:2, 10bit, PAL) (Approx.): 100p (280Mbps), 50p (200Mbps), 25p (140Mbps) |
Movie Recording System (XAVC S HD) | 1920 x 1080 (4:2:0, 8bit, NTSC) (Approx.): 120p (100Mbps / 60Mbps), 60p (50Mbps / 25Mbps), 30p (50Mbps / 16Mbps), 24p (50Mbps); 1920 x 1080 (4:2:0, 8bit, PAL) (Approx.): 100p (100Mbps / 60Mbps), 50p (50Mbps / 25Mbps), 25p (50Mbps / 16Mbps); 1920 x 1080 (4:2:2, 10bit, NTSC) (Approx.): 60p (50Mbps), 30p (50Mbps), 24p (50Mbps); 1920 x 1080 (4:2:2, 10bit, PAL) (Approx.): 50p (50Mbps), 25p (50Mbps) |
Movie Recording System (XAVC S-I 4K) | 3840 x 2160 (4:2:2, 10bit, NTSC) (Approx.): 60p (600Mbps), 30p (300Mbps), 24p (240Mbps); 3840 x 2160 (4:2:2, 10bit, PAL) (Approx.): 50p (500Mbps), 25p (250Mbps) |
Movie Recording System (XAVC S-I HD) | 1920 x 1080 (4:2:2, 10bit, NTSC) (Approx.): 60p (222Mbps), 30p (111Mbps), 24p (89Mbps); 1920 x 1080 (4:2:2, 10bit, PAL) (Approx.): 50p (185Mbps), 25p (93Mbps) |
Slow and Quick Motion (Shooting Framte Rate) | NTSC mode: 1fps,2fps,4fps,8fps,15fps,30fps,60fps,120fps, 240fps56, PAL mode: 1fps,2fps,3fps,6fps,12fps,25fps,50fps,100fps, 200fps56 |
Movie Functions | Audio Level Display, Audio Rec Level, PAL/NTSC Selector, Proxy Recording (1280 x 720 (6Mbps), 1920 x 1080(9Mbps), 1920 x 1080(16Mbps)), TC/UB, Auto Slow Shutter, Gamma Disp. Assist, RAW Output(HDMI) |
Recording System | |
Location Information Link from Smartphone | Yes |
Media | SD memory card, SDHC memory card (UHS-I/II compliant), SDXC memory card (UHS-I/II compliant), CFexpress Type A memory card |
Memory Card Slot | SLOT1: Multi slot for SD (UHS-I/II compliant) memory card/CFexpress Type A card, SLOT2: Multi slot for SD (UHS-I/II compliant) memory card/CFexpress Type A card |
Recording Mode on 2 Cards | Simult. Rec, Sort, Auto Switch Media, Copy |
Noise Reduction | |
Nosie Reduction | Long exposure NR: On/Off, available at shutter speeds longer than 1 sec.,High ISO NR: Normal / Low / Off |
White Balance | |
White Balance Modes | Auto / Daylight / Shade / Cloudy / Incandescent / Fluorescent / Flash / Underwater / Colour Temperature (2500 to 9900K) & colour filter / Custom |
Shutter AWB Lock | Yes (Shut. Halfway Down / Cont. Shooting / Off) |
Focus | |
Focus Type | Fast Hybrid AF (phase-detection AF / contrast-detection AF) |
Focus Sensor | Exmor RS CMOS sensor |
Focus Point | 35mm full frame: 759 points (phase-detection AF), APS-C mode with FF lens: 759 points (phase-detection AF), with APS-C lens: 575 points (phase-detection AF) / 425 points (contrast-detection AF) |
Focus Sensitivity Range | EV-4 to EV20 (ISO100 equivalent with F2.0 lens attached) |
Focus Mode | AF-S (Single-shot AF), AF-C ( Continuous AF), DMF (Direct Manual Focus), Manual Focus |
Focus Area | Wide / Zone / Center / Flexible Spot / Expanded Flexible Spot / Tracking |
Eye AF | Still images: Human (Right/Left Eye Select) / Animal (Right/Left Eye Select) / Bird, Movie: Human (Right/Left Eye Select) |
Other Features | Predictive control, Focus lock, AF Track Sens. (Still), AF Subj. Shift Sensitivity (Movie), AF Transition Speed (Movie), Switch V/H AF Area, AF Area Regist., Circ. of Focus Point |
AF Illuminator | Yes (with Built-in LED type) |
AF Illuminator Range | Approx. 0.3m - approx. 3.0m (with FE 28-70mm F3.5-5.6 OSS lens attached) |
Focus Type with LA-EA3 (Sold Separately) | Phase-detection |
Exposure | |
Metering Type | 1200-zone evaluative metering |
Metering Sensor | Exmor RS CMOS sensor |
Metering Sensitivity | EV-3 to EV20 (at ISO100 equivalent with F2.0 lens attached) |
Metering Mode | Multi-segment, Center-weighted, Spot, Spot Standard/Large, Entire Screen Avg., Highlight |
Exposure Compensation | +/- 5.0EV (1/3 EV, 1/2 EV steps selectable) (with exposure compensation dial: +/- 3EV (1/3 EV steps)) |
Exposure Bracketing | Bracket: Cont., Bracket: Single, 3/5/9 frames selectable. (Ambient light, Flash light) |
AE Lock | Locked when shutter button is pressed halfway. Available with AE lock button. (On/Off/Auto) |
Exposure Modes | AUTO(iAuto), Programmed AE (P), Aperture priority (A), Shutter-speed priority (S), Manual (M), Movie (Programmed AE (P) / Aperture priority (A) / Shutter-speed priority (S) / Manual (M) / Flexible Exp. Mode), Slow & Quick Motion (Programmed AE (P) / Aperture priority (A) / Shutter-speed priority (S) / Manual (M) / Flexible Exp. Mode) |
ISO Sensitivity (Recommended Exposure Index) | Still images: ISO 100-32000 (ISO numbers up from ISO 50 to ISO 102400 can be set as expanded ISO range.), AUTO (ISO 100-12800, selectable lower limit and upper limit), Movies: ISO 100-32000 equivalent, AUTO (ISO 100-12800, selectable lower limit and upper limit) |
Anti-Flicker Shoort | Yes |
Viewfinder | |
Viewfinder Type | 1.6 cm (0.64 type) electronic viewfinder (color) |
Number of Dots | 9 437 184 dots |
Field Coverage | 100 percent |
Magnification | Approx. 0.90 x (with 50mm lens at infinity, -1m-₁) |
Dioptre Adjustment | -4.0 to +3.0m-₁ |
Eye Point | Approx. 25mm from the eyepiece lens, 21mm from the eyepiece frame at -1m-₁ (CIPA standard) |
Display Function | Histogram, Real-time image-adjustment display, Digital level gauge, Grid line, Focus check, Peaking MF, Zebra, Movie marker, Emph disp dur REC |
Finder Frame Rate Selection | STD 60fps / HI 120fps / HI+ 240fps7 |
LCD Screen | |
Monitor Type | 7.5cm (3.0-type) type TFT |
Number of Dots | 1,440,000 dots |
Touch Panel | Yes |
Brightness Controll | Manual (5 steps between -2 and +2), Sunny Weather mode |
Adjustable Angle | Up by Approx. 107 degrees, Down by Approx. 41 degrees |
Focus Magnifier | Yes, Focus Magnifier (35mm full frame: 4.2x / 8.5x, APS- C: 2.7x / 5.5x) |
Other Features | |
Clear Image Zoom | Still images:Approx. 2x,Movies:Approx. 1.5x (4K), Approx. 2x (HD) |
Digital Zoom | Smart zoom (Still images):35mm full frame: M:Approx. 1.5x, S:Approx. 2x, APS-C: S:Approx. 2x, Digital zoom (Still images):35mm full frame: L:Approx. 4x, M:Approx.6.1x, S:Approx. 8x,APS-C: M:approx. 4x, S: approx. 5.2x, Digital zoom (Movie):35mm full frame: Approx. 4x, APS-C: Approx. 4x |
Face Detection | Face/Eye Priority in AF, Face Priority in Multi Metering, Regist. Faces Priority |
Others | Interval Recording, ISO AUTO Min. SS, Bright Monitoring, Copyright Info, Set File Name, Save/Import Settings, Help guide, Video Light Mode, Zoom Ring Rotate |
Shutter | |
Type | Electronically-controlled, vertical-traverse, focal-plane type |
Shutter Type | Mechanical shutter/Electronic shutter |
Shutter Speed | Still images, Single shot Mechanical Shutter:1/8000 to 30 sec, Bulb; AUTO: 1/32000 to 30 sec, Bulb; Electronic Shutter: 1/32000 to 30 sec; Still images, Continous shooting Mechanical; Shutter:1/8000 to 30 sec; AUTO: 1/32000 to 1/2 sec; Electronic Shutter: 1/32000 to 1/2 sec; Movies: 1/8000 to 1/4(1/3 steps), up to 1/60 in AUTO mode (up to 1/30 in Auto slow shutter mode) |
Flash Sync Speed | (Mechanical shutter), (Flash Sync. Priority) is (ON) or (AUTO):1/400 sec (35mm full frame), 1/500 sec (APS-C), (Flash Sync. Priority) is (OFF):1/320 sec (35mm full frame), 1/400 sec (APS-C), (Electrical shutter), 1/200 sec (35mm full frame), 1/250 sec (APS-C) |
Electronic Front Curtain Shutter | Yes |
Silent Shooting | Yes (ON/OFF) |
Image Stabilization | |
Type | Image Sensor-Shift mechanism with 5-axis compensation (Compensation depends on lens specifications) |
Compensation Effect | 5.5 stops (based on CIPA standard. Pitch/yaw shake only. With Planar T* FE 50mm F1.4 ZA lens mounted. Long exposure NR off.) |
Flash Control | |
Control | Pre-flash TTL |
Flash Compensation | +/- 3.0 EV (switchable between 1/3 and 1/2 EV steps) |
Flash Modes | Flash off, Autoflash, Fill-flash, Slow Sync., Rear Sync., Red- eye reduction (on/off selectable), Wireless8, Hi-speed sync.8 |
External Flash Compatibility | Sony α System Flash compatible with Multi Interface Shoe, attach the shoe adaptor for flash compatible with Auto-lock accessory shoe |
FE Level Lock | Yes |
Wireless Control | Yes (Light signal: Available with Fill-flash, Slow Sync., Hi-speed sync. / Radio signal: Available with Fill-flash, Rear Sync., Slow Sync., Hi-speed sync.) |
Drive | |
Drive Modes | Single Shooting, Continuous shooting (Hi+/Hi/Mid/Lo selectable), Self-timer, Self-timer (Cont.), Bracket: Single, Bracket: Cont., White Balance bracket, DRO bracket |
Continuous Drive Speed (APPROX. MAX.) | AUTO/Electronic Shutter: Continuous shooting: Hi+: 30 fps, Hi: 20 fps, Mid: 15fps, Lo: 5 fps,9101112 Mechanical Shutter: Continuous shooting: Hi+: 10 fps, Hi: 8 fps, Mid: 6fps, Lo: 3 fps |
No. of Recordable Frame (Approx.) | JPEG Extra fine L: 182 frames, JPEG Fine L: 400 frames, JPEG Standard L: 400 frames, RAW: 238 frames, RAW & JPG: 192 frames, RAW (Lossless Compression): 96 frames, RAW (Lossless Compression) & JPG: 83 frames, RAW (Uncompressed): 82 frames, RAW (Uncompressed) & JPG: 78 frames |
Seld-Timer | 10 sec. delay / 5 sec. delay / 2 sec. delay / Continuous self- time / Bracketing self-timer |
Pixel Shift Multi-Shooting | Yes (4 shots / 16 shots)1 |
Playback | |
Photo Capture | Yes |
Modes | Single (with or without shooting information Y RGB histogram & highlight / shadow warning),Index view,Enlarged display mode (L: 21.6x, M: 14.0x, S: 10.8x),Auto Review,Image orientation,Folder selection (Date / Still / Movie),Protect,Rating,Display as Group |
Interface | |
PC Interface | Mass-storage / MTP |
Multi / Micro USB Terminal | Yes (SuperSpeed USB 10Gbps (USB 3.2) compatible) |
Bluetooth | Yes (Bluetooth Standard Ver. 5.0 (2.4GHz band)) |
Wireless LAN (Built-In) | Yes (Wi-Fi Compatible, IEEE 802.11a/b/g/n/ac (2.4GHz band/5GHz band))1314 |
Multi Interface Shoe | Yes (with Digital Audio Interface)15 |
Mic Terminal | Yes (3.5 mm Stereo minijack) |
Sync Terminal | Yes |
Headphone Terminal | Yes (3.5 mm Stereo minijack) |
Vertical Grip Connectors | Yes |
Lan Terminal | Yes (1000BASE-T, 100BASE-TX, 10BASE-T) |
Functions | FTP Transfer Func.(Wired LAN, USB Tethering, Wi-Fi)., View on Smartphone,Remote control via Smartphone, NFC One-touch remote,PC Remote, BRAVIA Sync (Control for HDMI), PhotoTV HD |
Audio | |
Microphone | Built-in, stereo |
Speaker | Built-in, monaural |
Compatible Standards | Exif Print, Print Image Matching III |
Custom function | |
Type | Custom key settings, Programmable Setting (Body 3 sets /memory card 4 sets),My Dial Settings,My Menu,Reg Cust Shoot Set |
Lens Compensation | |
Setting | Peripheral Shading, Chromatic Aberration, Distortion |
Power | |
Supplied Battery | One rechargeable battery pack NP-FZ100 |
Battery Life (Still Images) | Approx. 430 shots (Viewfinder) / approx. 530 shots (LCD monitor) (CIPA standard) |
Battery Life (Movie, Actual Recording) | Approx. 90 min. (Viewfinder) / Approx. 95 min. (LCD monitor) (CIPA standard) |
Battery Life (Movie, Continuous Recording) | Approx. 145 min. (Viewfinder) / Approx. 150 min. (LCD monitor) (CIPA standard) |
Internal Battery Charge | Yes (Available with USB Type-C Terminal. USB Power Delivery compatible) |
Power Consumption with Viewfinder | Still images: approx. 4.6W (with FE 28-70mm F3.5-5.6 OSS lens attached), Movies: approx. 6.8W (with FE 28-70mm F3.5-5.6 OSS lens attached) |
Power Consumption with LED Screen | Still images: approx. 3.7W (with FE 28-70mm F3.5-5.6 OSS lens attached), Movies: approx. 6.6W (with FE 28-70mm F3.5-5.6 OSS lens attached) |
USB Power Supply | Yes (Available with USB Type-C Terminal. USB Power Delivery compatible) |
Others | |
Operating Temperature | 32 - 104 degrees F / 0 - 40 degrees C |
Size & Weight | |
Weight (With Battery and Memory Card Included) | Approx. 737 g, approx. 1 lb 10.0 oz |
Dimensions (W X H X D) | Approx. 128.9mm x 96.9mm x 80.8mm, Approx. 128.9mm x 96.9mm x 69.7mm (FROM GRIP TO MONITOR), Approx. 5 1/8 x 3 7/8 x 3 1/4 inches, Approx. 5 1/8 x 3 7/8 x 2 3/4 inches (FROM GRIP TO MONITOR) |