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Blackmagic URSA Broadcast G2 Studio Bundle

Name: Blackmagic URSA Broadcast G2 Studio Bundle
Brand: Blackmagic
SKU: Blackmagic URSA Broadcast G2 Studio Bundle
Price: 10595.76 GBP
Availability: InStock

£8,829.80 (ex VAT)

£10,595.76 (inc VAT)

SKU: Blackmagic URSA Broadcast G2 Studio Bundle

Current Stock:

Availability: Contact Sales

Bundle promotion valid until 31 March 2025

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Blackmagic URSA Broadcast G2

An incredibly powerful camera suited to both traditional and online broadcasters. It's 3 in 1 design allows it to be used as a 4K production camera, a 4K studio camera or a 6K digital film camera. You can record to common SD cards, UHS-II cards, CFast 2.0 cards or external USB disks, using common file formats such as H.265, ProRes and Blackmagic RAW. You are even able to change the lens mount, ensuring maximum flexibility.

Blackmagic URSA Studio Viewfinder G2

Turn your URSA Broadcast G2 into the ultimate live camera with this 7 inch professional studio viewfinder. Including detachable sunshade, large handles, an articulated pivot mount, large rotary control dials an customisable function buttons. The V-Lock plate included ensures for a smooth set up and it connects directly to the SDI monitor and power output on the camera, so you don't need additional cables or power supplies.

Blackmagic Camera Fiber Converter

Easy to install, the Blackmagic Camera Fiber Converter simply attaches to the back of your URSA Broadcast in place of the battery plate. Then you connect the 12G-SDI connections between the converter and the camera. The converter uses the SDI tally and control protocols, and it uses SDI channels for talkback. The single unit takes care of the conversions of video and audio, plus it adds the rear camera controls. These controls include buttons for the return feeds, dual intercom controls with the ability to mix in program audio, record, focus and iris controls, headset connectors, audio and more. The converter is also a good place to attach the Blackmagic URSA Studio Viewfinder G2.

Blackmagic Studio Fiber Converter

This is used at the control room end of the SMPTE fiber cable and it handles converting between the SMPTE fiber and SDI video and audio connections. Plus the studio converter has a built in high capacity power supply to drive the SMPTE fiber cable with enough power to the camera and its accessories. There's even a dedicated talkback connector so you can connect to industry standard talkback systems. The large 5 inch LCD screen on the front panel makes it very easy to monitor the camera feed. The SMPTE fiber connector is on the front panel, so the converter can be mounted on the back of a rack, so you don't need an expensive SMPTE fiber patch panel.

Main Features

Blackmagic URSA Broadcast G2:

The world's most flexible broadcast camera
Three camera's in one - Broadcast Production, Live Studio and Digital Cinema
Get digital film quality for broadcast
Exceptional low light performance
Compatible with B4 broadcast lenses
Built in Optical ND filters
Use common media and file formats
Dual media slots for non-stop recording
Live sync and edit media on DaVinci Resolve while the camera is recording
Three post production workflows
Built in SRT and RTMP live streaming
USB-C for recording direct to external media disks
Connect 5G or 4G phones for mobile data
Strong and lightweight magnesium design
Built in LCD with touch controls
External status display
Program video monitoring
Load custom 3D LUTs to recreate film looks
Standard television industry connections
Supports all broadcast frame rates
Professional audio connections and built in microphones
Studio camera control via SDI
Work in both HD or Ultra HD
Change to PL, EF and F lens mounts
Latest generation 5 colour science
Incredible Blackmagic RAW quality
Powered by Blackmagic OS
Built in timecode generator
Focus and zoom demands
Add viewfinders, SMPTE fiber and lens mounts
Record to SSDs and U.2 media
Broadcast links with ATEM streaming bridge
Designed for fast paced ENG
Localised in 13 popular languages
Wireless bluetooth camera remote control
Compatible with industry standard batteries
Includes DaVinci Resolve Studio

Blackmagic Studio Viewfinder G2:

Large bright adjustable display
Physical viewfinder controls
Large bright tally light
Custom camera control options
Activate tally light through SDI control

Blackmagic Camera Fiber Converter:

Extend and power your camera using industry standard SMPTE fiber cables
Provides 1 Ultra HD camera feed, with 3 HD return feeds in a compact IP video based design
Common live camera controls included, with multiple talkback channels and television industry standard talkback headset connections.

Blackmagic Studio Fiber Converter:

Large bright adjustable display
Physical viewfinder controls
Large bright tally light
Custom camera control options
Activate tally light through SDI control

Specifications

Blackmagic URSA Broadcast G2:

Camera Features

Effective Sensor Size	2/3 inch sensor size when using 4K B4 mount (Actual sensor size 23.10mm x 12.99mm)
Lens Mount	B4 2/3 inch installed Active EF mount also included
Lens Control	Electronic control via 12-pin broadcast connector. Control via EF mount pins when using URSA Mini Pro EF Mount with compatible EF lenses.
Lens Correction	In-camera correction of color fringing when using compatible broadcast lenses.
Dynamic Range	13 Stops
Dual Native ISO	0dB and 18dB gain
Sensitivity at 0dB Gain	f11 with 2160p59.94. f12 with 2160p50. at 2,000 lux with 89.9% reflectance. additional 1.1 stop light loss using 4K B4 mount.
Signal to Noise Ratio	64.62dB for 2160p Ultra HD scaled from 5.3K
Built in ND Filters	Four position ND filter wheel with clear, 2 stop, 4 stop and 6 stop ND filters.
Focus	Focus button triggers auto focus when using compatible lenses with focus servo. Touch and hold on LCD determines focus region and triggers auto focus.
Iris Control	Iris wheel and touchscreen slider for manual iris adjustment on electronically controllable lenses, iris button for instant auto iris settings on compatible lenses so no pixel is clipped in film mode. Scene average auto exposure in video and extended video mode.
Screen Dimensions	4 inch
Screen Type	LCD capacitive touchscreen
Controls	Touchscreen menus on 4 inch screen. Push buttons for other controls. 3 assignable shortcut keys and 2 assignable shortcut keys (VTR and RET) on compatible broadcast lenses.
ProRes Shooting Resolutions and Frame Rates	3840 x 2160 (Ultra HD) up to 60 fps from Ultra HD window or scaled from 5.3K windowed sensor 3840 x 2160 (Ultra HD) up to 50 fps scaled from full sensor 1920 x 1080 (HD) up to 120 fps scaled from 2.7K windowed sensor 1920 x 1080 (HD) up to 60 fps scaled from Ultra HD or 5.3K windowed sensor 1920 x 1080 (HD) up to 50 fps scaled from full sensor
H.265 Shooting Resolutions and Frame Rates	3840 x 2160 (Ultra HD) up to 60 fps from Ultra HD window or scaled from 5.3K windowed sensor 3840 x 2160 (Ultra HD) up to 50 fps scaled from full sensor
H.264 Shooting Resolutions and Frame Rates	1920 x 1080 (HD) up to 60 fps scaled from Ultra HD or 5.3K windowed sensor 1920 x 1080 (HD) up to 50 fps scaled from full sensor
Blackmagic RAW Shooting Resolutions and Frame Rates	6144 x 3456 (6K) up to 50 fps 6144 x 2560 (6K 2.4:1) up to 60 fps 5376 x 3024 (5.3K 16:9) up to 60 fps 3728 x 3104 (3.7K 6:5 anamorphic) up to 60 fps 3840 x 2160 (Ultra HD) up to 60 fps 1920 x 1080 (HD) up to 150 fps
Project Frame Rates	23.98, 24, 25, 29.97, 30, 50, 59.94 and 60 fps. Off-speed frame rates up to 60p in Ultra HD and up to 150p in HD.
Metadata Support	Automatically populated lens data from electronic B4 lenses. Automatic recording of camera settings and slate data such as project, scene number, take and special notes.
Timecode Clock	Highly accurate timecode clock. Less than 1 frame drift every 8 hours

Connections

SDI Video Inputs	1
SDI Video Outputs	1
SDI Monitor Outputs	1
SDI Rates	1.5G, 3G, 6G, 12G.
Analog Audio Inputs	2 x XLR switchable between mic, line and AES digital audio. Phantom power support.
Analog Audio Outputs	1 x 3.5mm headphone jack, supports iPhone style headset for talkback.
Reference Inputs	Tri-Sync/Black Burst/Timecode
Lens Control	1 x 12-pin Hirose Broadcast Lens Connector
Remote Control	1 x 2.5mm LANC input for Rec Start/Stop, plus Iris and Focus control using compatible lenses.
Computer Interface	1 x USB Type‑C 3.1 Gen 2 with power delivery for external drive recording and connecting Blackmagic Focus and Zoom Demand. 1 x USB Type‑C for software updates.

Audio

Microphone	Integrated stereo microphone
Built in Speaker	1 x mono speaker

Streaming

Direct Streaming	Blackmagic URSA Broadcast G2 supports direct live streaming using Secure Reliable Transport (SRT) and Real Time Messaging Protocol (RTMP) in H.264 using a USB-C connection to a phone sharing mobile data or a USB-C to Ethernet connection to a local network or the internet.
Streaming Platforms	YouTube (SRT Beta), ATEM Streaming Bridge, ATEM Television Studio HD8 ISO, Facebook, Twitch, YouTube, Twitter, Restream.IO, Vimeo, BoxCast, Castr, Afreeca TV, Bilibili, DouYu, Weibo.

Standards

SD Video Standards	None
HD Video Standards	1080p23.98, 1080p24, 1080p25, 1080p29.97, 1080p30, 1080p50, 1080p59.94, 1080p60 1080i50, 1080i59.94, 1080i60
Ultra HD Video Standards	2160p23.98, 2160p24, 2160p25, 2160p29.97, 2160p30, 2160p50, 2160p59.94, 2160p60
SDI Compliance	SMPTE 292M, SMPTE 424M, SMPTE 425M level A and B, SMPTE 2081‑1, SMPTE 2081‑10, SMPTE 2082‑1 and SMPTE 2082‑10
SDI Audio Sampling	48 kHz and 24 bit

Media

Media	2 x CFast 2.0 card slots, 2 x SD UHS‑II card slots, 1 x USB‑C 3.1 Gen 2 expansion port with power delivery for recording to external media.
Media Format	Can format media to ExFAT for Windows and Mac or HFS+ for Mac (file systems).
Media Page	Blackmagic Camera OS includes a Media Page for professional media management and viewing metadata information. Sort clips by duration, frame rate, resolution, codec, media slot, timecode, scene or upload status, plus search all clips, private storage or just clips within specific projects. Preview clips with duration, timecode and file name displayed and use the scrubber for fluid, precise frame control. Select clips to upload and share, and delete clips with a confirmation warning. You can also select multiple clips to batch upload, batch delete or playback in a custom timeline.

Supported Codecs

Codecs

Apple ProRes 422 HQ,
Apple ProRes 422,
H.265 SDI (10-bit 4:2:2),
H.265 High (10-bit 4:2:0),
H.265 Medium (10-bit 4:2:0),
H.265 Low (10-bit 4:2:0),
H.264 SDI (10-bit 4:2:2),
H.264 High (8-bit 4:2:0),
H.264 Medium (8-bit 4:2:0),
H.264 Low (8-bit 4:2:0),
Blackmagic RAW Constant Bitrate 3:1,
Blackmagic RAW Constant Bitrate 5:1,
Blackmagic RAW Constant Bitrate 8:1,
Blackmagic RAW Constant Bitrate 12:1,
Blackmagic RAW Constant Quality Q0,
Blackmagic RAW Constant Quality Q1,
Blackmagic RAW Constant Quality Q3,
Blackmagic RAW Constant Quality Q5

Control

External Control

Lens control of compatible lenses using Blackmagic Zoom Demand and Blackmagic Focus Demand, Blackmagic SDI Control Protocol, iPad control via Bluetooth, 1 x 2.5mm LANC for lens and record control.

Colour Corrector

Colour Corrector

DaVinci YRGB

Talkback and Tally

Talkback	SDI Channels 15/16 and iPhone headset
Live Tally Indicator	Tally on LCD, URSA Viewfinder and URSA Studio Viewfinder

Storage Features

Storage Type

2 x CFast 2.0

2 x SD UHS‑II cards

1 x high speed USB‑C expansion port for external media.

2.5 inch SSD using optional URSA Mini Recorder

Storage Rates

Storage rates based on 30 frames per second.

6144 x 3456 (6K)

Blackmagic RAW 3:1 - 323 MB/s
Blackmagic RAW 5:1 - 194 MB/s
Blackmagic RAW 8:1 - 121 MB/s
Blackmagic RAW 12:1 - 81 MB/s
Blackmagic RAW Q0 - 242 to 483 MB/s
Blackmagic RAW Q1 - 162 to 387 MB/s
Blackmagic RAW Q3 - 108 to 277 MB/s
Blackmagic RAW Q5 - 65 to 162 MB/s

6144 x 2560 (6K 2.4:1)

Blackmagic RAW 3:1 - 240 MB/s
Blackmagic RAW 5:1 - 144 MB/s
Blackmagic RAW 8:1 - 90 MB/s
Blackmagic RAW 12:1 - 60 MB/s
Blackmagic RAW Q0 - 180 to 359 MB/s
Blackmagic RAW Q1 - 120 to 287 MB/s
Blackmagic RAW Q3 - 80 to 205 MB/s
Blackmagic RAW Q5 - 49 to 120 MB/s

5376 x 3024 (5.3K 16:9)

Blackmagic RAW 3:1 - 248 MB/s
Blackmagic RAW 5:1 - 149 MB/s
Blackmagic RAW 8:1 - 94 MB/s
Blackmagic RAW 12:1 - 63 MB/s
Blackmagic RAW Q0 - 186 to 371 MB/s
Blackmagic RAW Q1 - 125 to 297 MB/s
Blackmagic RAW Q3 - 84 to 213 MB/s
Blackmagic RAW Q5 - 51 to 125 MB/s

3728 x 3104 (3.7K 6:5 anamorphic)

Blackmagic RAW 3:1 - 177 MB/s
Blackmagic RAW 5:1 - 106 MB/s
Blackmagic RAW 8:1 - 67 MB/s
Blackmagic RAW 12:1 - 45 MB/s
Blackmagic RAW Q0 - 133 to 265 MB/s
Blackmagic RAW Q1 - 89 to 212 MB/s
Blackmagic RAW Q3 - 60 to 152 MB/s
Blackmagic RAW Q5 - 36 to 89 MB/s

3840 x 2160 (Ultra HD)

Apple ProRes 422 HQ - 110 MB/s
Apple ProRes 422 - 73.6 MB/s
H.265 SDI - 12.3 MB/s
H.265 High - 10.8 MB/s
H.265 Medium - 7.8 MB/s
H.265 Low - 3.2 MB/s
Blackmagic RAW 3:1 - 127 MB/s
Blackmagic RAW 5:1 - 77 MB/s
Blackmagic RAW 8:1 - 48 MB/s
Blackmagic RAW 12:1 - 32 MB/s
Blackmagic RAW Q0 - 96 to 190 MB/s
Blackmagic RAW Q1 - 64 to 153 MB/s
Blackmagic RAW Q3 - 43 to 109 MB/s
Blackmagic RAW Q5 - 26 to 64 MB/s

1920 x 1080

Apple ProRes 422 HQ - 27.5 MB/s
Apple ProRes 422 - 18.4 MB/s
H.264 SDI - 7.0 MB/s
H.264 High - 5.6 MB/s
H.264 Medium - 3.2 MB/s
H.264 Low - 1.8 MB/s
Blackmagic RAW 3:1 - 19 MB/s
Blackmagic RAW 5:1 - 12 MB/s
Blackmagic RAW 8:1 - 7.8 MB/s
Blackmagic RAW 12:1 - 5.2 MB/s
Blackmagic RAW Q0 - 23 to 47 MB/s
Blackmagic RAW Q1 - 16 to 37 MB/s
Blackmagic RAW Q3 - 10 to 27 MB/s
Blackmagic RAW Q5 - 6 to 16 MB/s

Constant Quality storage rates quoted are indicative only.

Actual storage rates are entirely dependent on image subject matter.

Recording Formats

Apple ProRes 3840 x 2160 and 1920 x 1080 with film,video or extended video dynamic range or custom 3D LUT.

H.265 3840 x 2160 with film, video or extended video dynamic range or custom 3D LUT.

H.264 1920 x 1080 with film, video or extended video dynamic range or custom 3D LUT.

Blackmagic RAW Q0, Q1, Q3, Q5, 3:1, 5:1, 8:1 and 12:1 at 6144 x 3456, 6144 x 2560, 5376 x 3024, 3728 x 3104, 3840 x 2160, 1920 x 1080 recorded in non-linear 12 bit with film dynamic range and extended video, video or custom 3D LUT embedded in metadata.

Software

Software Included

Blackmagic OS

DaVinci Resolve Studio for Mac and Windows including activation key

Blackmagic Camera Setup

Blackmagic RAW Player

Blackmagic RAW QuickLook Plugin

Blackmagic RAW SDK

Blackmagic RAW Speed Test

Blackmagic Cloud

Compatibility	Blackmagic Cloud and clip sharing features compatible with and DaVinci Resolve 18.6 or later
Sharing	Integrated Login to Blackmagic Cloud for sharing to a DaVinci Resolve project
Automatic Media Sharing	Captured media automatically uploads to a Blackmagic Cloud DaVinci Resolve project
Manual Media Sharing	Select recorded clips or files manually share to a Blackmagic Cloud DaVinci Resolve project
Upload Clips	Proxies Only or Originals and Proxies

Operating Systems

Mac	Mac 13.0 Ventura, Mac 14.0 Sonoma or later
Windows	Windows 10 and 11

Power Requirements

Power Supply	1 x External 12V DC 100W power supply with 100 - 240V AC 50/60Hz IEC C14 input.
External Power Input	1 x 4-pin XLR port for external mains power supply or battery use. 1 x 12-pin Molex connector under rear battery plate.
Power Output	+12V 4-pin XLR regulated output on side of camera +12V D-Tap regulated output on VLock battery plate
Power	Rear camera mount compatible with industry standard V-mount or gold mount battery plates